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Harpsichords, Virginals, Spinets and Clavichords

Restorations and Consultations

 

Click here or on the image above for further information.

 

The stunningly-beautiful Franco-Flemish antique harpsichord harpsichord pictured above is for sale.

 

          This harpsichord was originally built in Antwerp in 1617 but, although the date is known, the original maker is unknown.  It was originally a double-manual harpsichord with two keyboard at pitches a fourth apart, and it had the usual disposition of 1x8', 1x4' with 4 registers - two for each keyboard.  Although it has a genuine early Ioannes Ruckers soundboard rosette,  analysis of the structure and design of the instrument shows that it was not made by any of the members of the Ruckers family.  The soundboard rosette, as so often happened in instruments subjected to a ravalement, came from a genuine instrument by Ioannes Ruckers, and was fraudulently placed in the soundboard of this instrument, probably to increase its value in a later period. 

       The instrument was mis a ravalement in Paris in 1750 by François Étienne Blanchet who extended the compass downwards to F1  and it was later extended up to f3. It is therefore now a classic French double-manual harpsichord with a full 5-octave compass and a disposition with 2 x 8', 1 x 4' and a peau de buffle set of jacks.  It has a stunningly-beautiful decoration with an outer case decorated in gold vernis martin with case and lid figure-paintings attributed to the circle of François Boucher (1703 - 1770).  These figure paintings are surrounded by beautiful and ingenious ornaments full of inventive imagination.  These beautiful ornaments can be positively attributed to Christophe II Huet (1700 - 1759).

          The sound is pure, full, rich and evenly-balanced across the whole compass of the instrument.  It creates an impression of immense power and opulence.  The sound has made a lasting impression on everyone who has heard or played the instrument.  It is, without a doubt, one of the finest and most beautiful examples of 18th-century French harpsichord decoration and building.

 

Full details of this harpsichord can be found by clicking here or by contacting Grant O'Brien.

 

RUCKERS.  A harpsichord and virginal building tradition

(click here)

by Grant O'Brien.

Re-published as a digital reprint  by Cambridge University Press, 2008.

Buy a signed copy with a personal dedication (click here).

Flemish papers for sale (click here)

Full-scale harpsichord, virginal and stand drawings for harpsichords and virginals are available for sale (click here)

Harpsichord-making woods for sale

 

A small amount of the important woods normally used by harpsichord makers is available for sale.  This is all very well-seasoned and of the highest quality available.

The types of wood include accurately-quartered Italian spruce soundboard wood.  This soundboard wood is sold only in flitches of about 6 to 15 planks.  Each flitch is a succession of slices from the same tree, and these can be used (as most Flemish and French makers did) to make a soundboard that is perfectly uniform in colour and texture because it is all of exactly the same wood for the whole of the soundboard.

Also available is knot-free Italian cypress from Tuscany (cipresso netto) and genuine African ebony (Diospyros crassiflora). 

All of this wood was bought as air-dried, and is now more than 40 years old.

For further details of quantities and prices please see the woods section of this site.

 

 

My new e-mail address:  Please follow the 'Contact details' link in the column on the left.    

 

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Web design by Grant O'Brien, Edinburgh, 2019.                 Web pages last up-dated:  Wednesday December 11, 2019

©Grant O'Brien, Edinburgh, 2019