The use of simple geometry and the local unit of measurement in the design of Italian stringed keyboard instruments:
an aid to attribution and to organological analysis
Grant O'Brien
A virginal dated 1641 by Stefano Bolcioni, Florence, in the Musikinstrumentenmuseum (Grassimuseum), University of Leipzig
The virginal by Bolcioni in the Musikinstrumentenmuseum at the University of Leipzig[39] is in a fairly ruinous state, but very interesting as a result of never having been restored in modern times[40]. This instrument is signed ‘Stefanus bolcionius Pratensis 1641’ written in cursive script in ink on the back of the namebatten[41]. The compass is C/E to f 3 with a broken short octave with split D/F#, E/G#, and then split g#/ab and g#1/ab1, giving it altogether 54 notes. The c2 string scaling is 328mm, apparently based on 12 Florentine soldi = 328.09mm (see footnote 35), or, equivalently, of f1 = 18 Florentine soldi.
It is a rectangular virginal with the right rear corner missing from the rectangle so that, placed in its outer case, the empty space provides a toolbox in the normal way. Here the only triangle which can be used to make an initial estimate of the unit of measurement is that of this rear toolbox space. A summary of the original measurements of the baseboard and case height is given in Table 9.
Measured
dimension
mm
Length: 1592
Length of rear spine: 1244
Baseboard width: 424
Short right-hand end: 136
Case left of the keywell: 384
Keywell: 710
Case right of the keywell: 498
Keywell projects: 117
Component of toolbox side along the spine: 348
Component of toolbox side along the right side: 287
Angle of toolbox side: 50½º
Height of case sides: 210
tan 50½º = 1.213 ≈ 1.214 = = 1.2125
Baseboard dimensions and case height
Rectangular virginal by Stefano Bolcioni,
Florence, 1641
Musikinstrumentenmuseum, University of Leipzig
(On loan from the
Leipzig Museum für Kunsthandwerk)
Analysis of the unit of
measurement used in the construction of the Leipzig Bolcioni rectangular
virginal:
The procedure for determining the local unit used to construct this virginal begins with the measurement of the toolbox angle at the rear right-hand corner of the instrument. The tangent of this angle is tan 50½º = 1.213 ≈ 1.214 = and this suggests that the two sides of the triangle that form the toolbox are 12¾ soldi and 10½ soldi which, mathematically, would form an angle of 50.53º. This angle is very close to the measured angle of 50½º. Measurement in millimetres of the length of the two orthogonal components of the toolbox side gives an approximate estimate of the size of the soldo. Table 10 shows the calculation of the unit of measurement used in the Bolcioni rectangular virginal based on the assumption that the sides of the toolbox at the rear right-hand side of the instrument were constructed geometrically using lengths of 12¾ soldi and 10½ soldi.
Measurement Local Length of
in mm unit soldo
Toolbox angle component parallel to spine: 348 = 12¾ soldi » 27.29
Toolbox angle component perpendicular to spine: 287 = 10½ soldi » 27.33
Total length: 1592 = 58¼ soldi » 27.33
Length of rear spine: 1244 = 45½ soldi » 27.34
Baseboard width: 424 = 15½ soldi » 27.35
Short right-hand end: 136 = 5 soldi » 27.0
Case left of the keywell: 384 = 14 soldi » 27.43
Keywell: 710 = 26 soldi » 27.31
Case right of the keywell: 498 = 18¼ soldi » 27.29
Keywell projects: 117 = 4¼ soldi » 27.53
Height of case sides: 210 = 7soldi » 27.39
Total: 5950 = 217soldi Average: 27.34mm
Calculation of the local unit of
measurement
Rectangular virginal by Stefano Bolcioni, Florence, 1631
Musikinstrumentenmuseum, University of Leipzig
(On loan from the
Leipzig Museum für Kunsthandwerk)
These measurements are shown in the diagrams of Figure 11
where the actual measurements in millimetres are shown in the top diagram, and
the measurements in units of the Florentine soldo
are shown in the diagram at the bottom.
The value of the length of the soldo
found for this instrument is very close both to that found for the Yale
Bolcioni single-manual harpsichord (error 0.04%) and to the reference values
already discussed for the previous instrument (see footnotes 37 and 38). This excellent agreement helps to confirm
both that the instruments are made by the same maker and that their design is
based on the Florentine soldo.
Baseboard measurements in millimetres
(above) and in Florentine soldi =
27.34mm (below)
Rectangular virginal by Stefano Bolcioni, Florence, 1641
Musikinstrumentenmuseum, University of Leipzig
(On loan from the Leipzig Museum für Kunsthandwerk)
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Endnotes:
[39] This instrument does not bear a Leipzig Musikinstrumentenmuseum catalogue number as it is on loan from the Leipzig Museum für Kunsthandwerk. My thanks to Ezster Fontana and Klaus Gernhardt of the Musikinstrumentenmuseum of the University of Leipzig for their help and co-operation in allowing me to examine this instrument. Please note that this instrument is not listed among the other instruments by Bolcioni in Donald H. Boalch, Makers of the Harpsichord and Clavichord, 1440-1840, (3rd Edition, Clarendon Press, Oxford, 1995) 248‑9. I do not want here to digress into the intricate reasons why both this instrument and the virginal in Munich (see footnotes 31 and 74) were thought by Hubert Henkel not to be by Bolcioni. As mentioned in footnote 31 I see no reason to doubt the signatures nor the authenticity of either of these two instruments for all of the usual reasons - the workmanship, materials, mouldings, unit of measurement, etc. are similar for all of these instruments.
[40] The jacks, for example, have beautifully-cut plectra which may well be original eighteenth-century French raven quills!
[41] The signature is incorrectly given as “Stefanus Colcionius Pratensis 1641” by Hubert Henkel in Kielinstrumente. Katalog des Musikinstrumentenmuseums der Karl-Marx Universität Leipzig, Vol. 2 (VEB Deutscher Verlag für Musik, Leipzig, 1979) 112.