A Franco-Flemish double-manual harpsichord,
Examples of Arabesque and Figure Paintings by Christophe Huet
for comparison with the decorations on the Franco-Flemish harpsichord.
Examples of Huet decoration from the interiors of the Chateau Champs-sur-Marne: |
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Chateau de Champs-sur-Marne: note the characteristic 'geometrical' arabesques alongside the foliate arabesques. |
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Chateau de Champs-sur-Marne: |
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Chateau de Champs-sur-Marne: |
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Chateau de Champs-sur-Marne: A rare example of a human figure - but, as is most common, the figures are Chinese. |
Chateau de Champs-sur-Marne: Another rare example of human figures in Huet decoration - but, as is most common, the figures are Chinese. Is this a kind of sexual perversion scene with the head (and mouth) of one figure buried deeply in the crotch of another - or am I the pervert in thinking it so??
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Chateau de Champs-sur-Marne: a good example of the delicately elegant Huet decoration. |
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Chateau de Champs-sur-Marne: |
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Chateau de Champs-sur-Marne: a fairly common mix of geometrical arabesques, foliate decoration, foliage, etc. decoration. The inventiveness of the highlights and shadows in totally imaginary objects is extraordinary. |
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Examples of Huet's decorations from the Chateau de Chantilly: |
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Huet Chantilly: typical ornaments |
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Huet in Chantilly: In honour of a very special grandfather monkey! |
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Huet Chantilly: A wonderful example of Huet's invention and his mixture of floral, imaginary, gilt, foliate decoration. His curves and spirals are always beautifully carried out and seem, almost, to follow a theoretical mathematical curve. |
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Huet Chantilly: detail. |
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Huet Chantilly: a good example of Huet Singerie decoration - usually his figure paintings are of monkeys and not of humans or putti, although the figures on the case sides of the Franco- Flemish harpsichord are all human or (at least) putto figures. |
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Huet's decoration of Francois Blanchet harpsichord, Paris, 1733, Chateau de Thoiry (the earliest example here): |
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1733 Blanchet double-manual harpsichord: the decoration of a part of the cheek of the instrument. |
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1733 Blanchet double-manual harpsichord: front flap decoration - dejà vu? |
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1733 Blanchet double-manual harpsichord: a part of the cheek decoration. The dancing crane is both spectacular and exquisite! |
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1733 Blanchet double-manual harpsichord: a part of the interior of the lid flap. |
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1733 Blanchet double-manual harpsichord: a part of the interior of the lid flap. This kind of decorations was clearly from the imagination of a genius! |
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1733 Blanchet double-manual harpsichord: an inventive mix of foliate and scallop decoration in various colours enrichedf with invented highlights and shadows. |
Important
Features of this harpsichord
A brief history of the musical and decorative states of the Franco-Flemish harpsichord
Details of
the original state of the instrument
Details of the eighteenth-century states of this harpsichord
Details of the modern history of this harpsichord
Problems encountered in the ethical restoration of this harpsichord
This page was last revised on 25 August 2022.